The following blog entry was written by Sarah Chassé, a copy editor of READ, Writing, and a whole bunch of other Weekly Reader magazines.
Quick--think of the last five movies you've seen. Were any of them based on a book? It seems like every hit novel gets made into a film these days. Need I mention the Harry Potter movies? The Chronicles of Narnia series? Bridge to Terabithia? Charlotte's Web? Even epic poems like Beowulf are getting the Hollywood treatment. Are the people who make movies running out of ideas or what?
But don't get me wrong; I love seeing my favorite books come to life on the big screen. So this past weekend I saw The Golden Compass, starring Nicole Kidman and talented young newcomer Dakota Blue Richards. The fantasy flick is based on the first book of a trilogy by British writer Philip Pullman.
If you've read the Harry Potter books, you'll recognize a few familiar themes in the pages of The Golden Compass. The main character, a young girl named Lyra, is an orphan destined for great things. Like, oh, helping to save the universe. And like Harry, she lives in a world full of adventure, danger, and magic.
In Lyra's reality, every person's soul lives outside his or her body in the form of an animal-shaped daemon (pronounced like demon). I know. You're thinking, "Huh!?" But I swear, it starts to seem normal after you've been reading for a while. Lyra and her shape-shifting daemon, Pan, battle the sinister Mrs. Coulter, who is part of a government plot to kidnap children to the Arctic and conduct terrible experiments on them. Along the way, Lyra is helped by wise witches, warrior polar bears, and a mysterious golden compass given to her by her uncle.
And that little summary is just the half of it. Or maybe just the quarter of it? I can't possibly fit all of the action and intrigue from the book into this blog entry. And you know what? It didn't quite fit into a two-hour movie, either. Important plot points felt rushed and confusing in the film. But then again, two ferocious, talking polar bears fighting to the death was more exciting with swelling music and deafening snarls than it was on the page. The movie was worth my $10, but the first thing I said when the lights came up was something you've probably heard before: "The book was better!"
Why do you think books are often better than movies? What books would you love to see made into a film? What books would you hate to see made into a film? Have you ever liked a movie better than the book it was based on? Am I asking too many questions? OK, just one more: What literary smash do you think will be the next Hollywood blockbuster?
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