It's cold in New York this week. April promises a sea change and warm weather, but April fools. It's cold outside. Keeps raining. It's cold in the office and cold at night under the covers. I want to write about the spring, but it isn't spring really. I don't know what to write about. I don't even know what to blog about. National Poetry Month? If you have to ask about that, you'll never know. I might have a poem in my pocket, but I don't have inspiration.
Maybe I need to stretch and flex my literary muscles. A little exercise. Literary calisthenics. Back in school, my professors offered exercises to get out of a funk, a block, whatever. But now I have no professors, and I'm left to my own devices-- literary or otherwise. So, I've scoured the internet for a few good exercises to try. Hopefully, one will inspire me. And hopefully, one will inspire you too. If so, please send the fruits of your labor to word@weeklyreader.com. Title it "Student Writing Exercise." If you have an exercise of your own that you would like to share, attach it to the comments section. Enough winter laziness. Let's get writing.
From Poefrika:
Ten-Minute Creative Writing Exercise
If you think you don't have time to write, think again. See what you can produce with a simple set of writing prompts and ten minutes of your time with this creative writing exercise inspired by Rita Dove's exercise "Ten-Minute Spill."
Write for ten minutes, incorporating a common proverb, adage, or familiar phrase ("between the devil and the deep blue sea," "one foot in the grave," "a stitch in time saves nine," "the whole nine yards," "a needle in a haystack," etc.) that you have changed in some way, as well as five of the following words:
hill
apricot
fist
stone
bleat
cousin
turn
lick
Don’t worry about creating a story right now: just focus on following the parameters and writing for your ten minutes. Write down whatever comes into your head without worrying about whether it’s good or not. You might surprise yourself.
From author Aimee Bender's website:
Make a list of five areas about which you are an expert. Be honest. A true expert. Then, pick one and write a page of expertise, using vocabulary that may leave a reader out, vocabulary very particular to that particular area of knowledge. (It does not have to be "the floral industry"-- it can also be "ways to avoid saying hello" or "Dad's shoes". )
I think this is one way of interpreting what Flannery O'Connor means by "manners" and also what Junot Diaz means when he says it's okay (even good?) if a reader doesn't understand everything you say.
From the University of Iowa:
Think of a situation in which a long-held fear or anxiety that you have comes true (this should be a situation which could, but has not yet happened). Now, using the third-person mode of narration, write a scene – or a very short story – describing a fictional version of yourself dealing with the situation.
If those three ideas don't get you going, check out this AWESOME writer's hub titled Language is a Virus. This place is full of ideas, games, inspirations, interviews and shrines to brilliant authors.
Good Luck!
