The following post was written by Alicia Zadrozny, Associate Editor of READ and Writing Magazines.
It was Friday night and I was in the mood for a party. I had spent the day perusing Book Expo America, picking up book galleys and meeting authors. (I'm hoping heaven is a lot like BEA, lots and lots of free books, but sans the bathroom lines.) Anyway, I headed downtown to Webster Hall not knowing exactly what to expect from the Rock Bottom Remainders, an improbable band formed with mostly famous and best-selling writers. Some of the better known members include Stephen King, humor columnist Dave Barry, Scott Turow, Amy Tan, Mitch Albom and Matt Groening, creator of The Simpsons. Frank McCourt made a special guest appearance. Roger McGuinn, formerly with the 1960s rock band The Byrds, was billed as the concert's "real musician." The $25 admission price benefited children's literacy programs.
By all appearances, this was going to be a concert like any other. Lines of people waited outside the venue to get in, after the show had already started. There was a surly bouncer and even a snotty reporter who huffed and puffed when told she had to wait in line.
By the time I got inside, the band was in full swing playing their favorite rock music through the ages, such as Elvis Presley, the Beatles, and the Monkees. So now you're probably wondering if these writers sing and play instruments as well as they write. Well, I'll spell it out for you. Stephen King: Terrible. Scott Turow: Truly, truly terrible. Dave Barry: Tape his hands down and take away that guitar. Mitch Albom: If only you had spent your Tuesdays practicing that keyboard. Amy Tan: Gets my vote for the worst singer-ever. I'd go through all the performers, but that gives you a pretty good idea.
Most likely, it's a certain sort of person who's going to love this kind of concert. It's the person who gets the joke behind the joke. It's not
their corny cracks at each other. It's the fact that Stephen King gets people to pay money to hear him howl his way through Warren Zevon's "Werewolves of London." The "king of horror" is also a master of irony. His real song was, "I'm so bad; I'm good."
Roger McGuinn saved the musical day to an extent with "Turn! Turn! Turn!" along with some other old hits by The Byrds. So what if his accompanists couldn't stay on key with him? I didn't really mind. It was just plain funny to see these writers have so much fun together. They looked like a bunch of goofballs, sure. But they are also very smart goofballs.
Editor's Note: We here at Weekly Reader love and admire the above artists for their day jobs. Any negative criticisms toward their musical ability is overshadowed by the brilliance that comes through in their true work: Teaching the blind to bowl. God bless you fine people.