Attention, Muggles: Your wait is over. The newest Harry Potter movie, Harry Potter and the Order of the Phoenix, is out today. First-time HP director David Yates weighs in on the sure-fire blockbuster.

Word: Were you nervous directing Phoenix knowing what a success the previous films were?

Yates: No, just very excited about the challenge and the opportunity to dive into the world and to make something on a scale I've never been able to explore before. Making films as big as Potter doesn't give you much time to navel-gaze or to worry, you just get on with it--and it has been enormous fun every step of the way.

Word: How true is the movie to the book? How important do you consider following the book when you direct a film?

Yates: I enjoyed the book enormously and compressing it into a screen time of two plus hours proved to be the biggest challenge of all. There are bits it was hard at first to leave out--but I wanted to focus the story as much as possible to serve the medium we were working in. I think we've caught the spirit of the book without compromising the film experience for the audience.

Word: Is Harry Potter and the Order of the Phoenix similar to any of the other HP movies?

Yates: This one is a bit edgier and grittier than the others--I really wanted to push the performances and the characters, to believe them as much as possible--because it is quite an emotional story and it is essential that the audience engage with and believe the relationships they are seeing on screen. It is inevitable as the characters and the stories grow older so do the films, and I'd certainly say this is the most grown up Potter so far.

Word: What was your favorite part about making this movie?

Yates: Working with Dan [Radcliffe], Rupert [Grint], Emma [Watson] and the rest of the cast, all of whom were great fun to be around. 

Word:  What was the most difficult part about filming this movie?

Yates: The length of time it took to shoot. Most films I've made were shot over a period of weeks, or a couple of months. Order of the Phoenix, because of the size of the story and the level of complexity in visual effects, took almost a year. Keeping focus and perspective is the biggest challenge across that time span, especially when you are shaping how a characters journey unfolds through the story.

Word: Are you going to direct the sixth HP?

Yates: I've had such good fun making this one, it [would be] really difficult giving it up and leaving The Half Blood Prince to someone else. I also had a feeling that there was unfinished business somehow over the two years it took me to make The Order of the Phoenix. I've become completely involved in the world and the characters that Jo [J.K. Rowling] has created, and I wanted to spend more time with them. So yes, I will be doing The Half Blood Prince. Can't wait in fact.

Word: If people could only see one movie this summer, why should they see HP?

Yates: Because it is a terrific ride but goes deeper and darker than the films the audience has already seen.

Yah!

So I finished reading The Order of The Phoenix this past weekend and I'm now into The Half-Blood Prince. And holy cow! Chapter Two - Snape! He's... well, I don't know what. It's weird. Is he really who he says he is now? Ack! Don't tell me! Keep it to yourself! I'll know soon enough, I imagine.

I am so happy I finally got into this craze. It's never too late, right? With 11 days to go before the final installment is released, I'm truly amped about Harry! Boo yah!

More to come, Muggles...

Hey, kids! We're going to learn some grammar. Yay!

Calm down, calm down. Don't get too excited there. Yes, I know, learning grammar is awesome. What? Do I detect sarcasm there?

OK, fine. So maybe grammar isn't the scholarly equivalent to a trip to Disney World. But if you want to be a good writer, you have to know certain rules. And who doesn't love following rules …

Anyway, just let me quickly tell you easy ways to remember some tricky grammar rules. Then you can get back to your regularly scheduled lives of pool parties, barbeques, and the like. (By the way, I don’t recall receiving an invitation to any of those parties. Must have gotten lost in the mail.)

Lie or Lay?

People lie. Well, duh. Every teenager who sneaks out of the house knows that. But it's also the case in lie vs. lay, and a great way to remember this rule. Someone lies down, but you lay your clothes out on the bed. And, by the way, I know you were out past curfew. Don't you lie to me!

If I were vs. If I was

Follow the Fiddler on the Roof  rule here. It's like that song, "If I Were a Rich Man." OK, OK, do you need a modern reference? Well, Gwen Stafani and Eve redid the song a few years ago as "Rich Girl."  (Actually, their version is a cover of Louchie Lou and Michie One's song. They did the first reggae version of "Rich Girl." But I digress.) Anyway, my point is, remember the song. So you would say "If I were."

Where you at?

Just don't. It's wrong, and it sounds dumb. Say "Where are you?" OK? Thanks.

Do you have a great idea for a magazine article? While getting the idea from your head to your computer might seem difficult -- "How do I get that interview? What’s a great pun I can use for the introduction? Just how am I going to end it?" -- writing is the easy part. It's getting published that's the difficult part. How do I know? Well, before I landed this awesome job at Weekly Reader, I too tried my hand at freelance writing, with varying degrees of success. Luckily, all you aspiring writers out there in computer land can benefit from my tips--written from experience. I learned the hard way so you don't have to.  :)

For starters, pick a magazine you want to send your idea to, and make sure they accept submissions. Try to look on its Web site to see if there are any guidelines. If you request the guidelines, send a self-addressed stamped envelope. Editors aren't going to shell out their own dough to send you a response. And know your audience! If you want to write an article on the newest monster truck in a magazine about cooking, chances are, it's not going to happen.

Next, send a query letter or e-mail. What's a query letter? I'm glad you asked. This is a letter stating what your article is going to be about, why the readers would be interested in it, the proposed word count, info like that. Most editors will not read unsolicited manuscripts. If they like your idea, they will contact you and work out the details.

And on that note, when you are sending your query, send it to someone. Preferably a real person whose name you saw on the masthead. (Yes, this requires some research. But researching by reading magazines is definitely more fun than researching for a big history paper. At least, it is in my opinion.) Editors hate it when they receive letters addressed "To whom it may concern." Even worse if you address it "To Sir," and the editor is female. Trust me on that one.

Be prepared to send out lots of queries without any response. Editors are busy people--writing their articles and blogs and all--and if they don't like the idea they might not write back. Rejection comes with the territory, but it builds character. (Or characters for your next story. Get it?) If an editor does say yes, don't pitch the idea to a different magazine as well. It'll get the editor mad if you recant, plus it's just not cool. You never know who knows whom, and sometimes scorned editors talk. You don't want to be blacklisted from all magazines!

Anyway, dear writer, those are some of my tips. Now go forth and, well, write! And good luck to you.